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Iris Priest |
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Hægtesse Status: A SPECIAL OFFER. This lithograph was editioned during the Spring Open Studios on Sat 17th & Sun 18th March 2018. Deadline for signing up ended at 5 p.m. on Sunday 18th March 2018. |
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Wislic ðâs tôhwon hæfdetôforansettan foran, For those who have come before, On this high spot amidst an unstill landscape, garlanded by the plaintive cries of curlew, we retrace our footsteps through the names bestowed; Monday Cleugh, Shorthope Burn; Sunnyside; Pinkie Shank; Black Hag. From sucking bog and whispering crag to cleaving wind and gathering cloud, we feel we have been here before. An object is only an object when taken out of context; when it is physically or conceptually removed from the interrelated spatial, temporal, social and environmental ecology it is a part of. The living rock (omphalus), around which time and sky pivot, teems with tacit meaning. As the world turns to sleep the ghost-cold stars watch the stone cut its spiral ark and blink with the same shared blackness. Language and perception give rise to a whole network of assumptions in regards to subjects, objects, verbs, agents and the envelope of time they operate within. As the creators of language and conduits of perception we humans tend to privilege our own experience of reality over other nonhuman realities. The notion of “I” as a stable and autonomous agent privileges “I” both in sentence structure and the ordering of reality. “I dreamed of the rock” never “Rock dreamed of the I”. Instinct for art began before petroglyphs or people, ruins or words, it was already here in the dancing wind and breaking waves, amongst the changing sky and song of the stones. The impulse was never a break or a departure, it came with the gloaming, the gleaming, the quickening and the awakening in shapeless states and pangean being. We may have forgotten but the stone never forgets.
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