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Prior to graining a stone ink from an old image is removed using solvents. |
Water and caborundum grit are applied to the stone. Coarse initially to remove old images and gradually finer. |
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Periodic checks are made to ensure that the surface of the stone is completely flat. |
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Once the stone is finely grained and scratch free it is cleaned and dried and is ready for an artist to draw on, or covered for storage. |
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Artists draw on the stones with greasy pencils & liquids. |
Once images are complete and dry they are dusted with rosin and talc. |
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Gum arabic and a few drops of acid are then applied to 'etch' the image. The stone is left for at least one hour. |
In the mean time we can set up the press with the correct size of scraper bar, which is used to appliy the pressure through. |
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The roller can also be prepped and ink mixed... |
...and rolled out. |
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The drawing materials are washed out using solvent. |
A greasy printing base of asphaltum is buffed in. This will aid the greasy ink stick to the stone where the image is. |
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The gum is removed from the stone with water and sponged evenly damp. |
The water on the non-image parts of the stone repel the greasy ink. |
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Once sufficiently rolled in ink the stone is dried and rosin & talc are dusted on again and a second (often stronger) etch is applied to help stabalise the image. |
The stone is left again for at least an hour. This gives us time to tear down some paper ready for printing. |
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Registration marks are added to the reverse of the paper, these correspond to marks that have been scratched into the stone. |
The image is washed out with solvent again, more asphaltum, gum removed with water and rolled up. A few newsprints will be printed prior to printing on good papers. |
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The paper is registered on the stone and run through the press. |
The impression is pulled from the stone. . |
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